01 / 11 Vol. 01 — 2026.04
IRO
いろ
Brand Book
A daily ritual.
Designed by Jake Pasternak
For New York
02 / 11 — Concept Vol. 01 — 2026.04

IRO (色) is the Australian sushi train, refined.

Iro is the Japanese word for colour. In Australia, the colour of your plate tells you its price — five dollars to thirteen, six tiers, no menu maths. You walk in, you grab plates, you watch your bill stack up in glaze and ceramic.

Australia got sushi right thirty years ago. Colour-coded plates. A glass fish at your table holding soy. Folded paper sachets of wasabi and ginger. A tablet for whatever isn't on the belt. You sit down without a booking, eat in forty-five minutes, leave full and laughing.

America missed it.

IRO brings the format to New York — with the craft Japan demands and the warmth that comes from considered minimalism.

Australian rituals. Japanese craft. Considered minimalism.

Sushi, every day. Priced by the colour. Finally, in New York.

IRO 色 Brand Book
03 / 11 — The Gap Vol. 01 — 2026.04

In America,
sushi is a luxury.

It's expensive. It's slow. The two best accessible spots in New York — Sugarfish and KazuNori — are still $40 a head, still come with a forty-minute line, and still ask you to eat at a counter through a fixed menu. Above them, omakase asks you to book three weeks ahead and spend $300. Below them, almost nothing of quality.

Sushi in America is treated like a treat — a thing you plan around, not a thing you do on a Tuesday.

This is not how it has to be. Look at Australia.

In Sydney alone, there is a sushi train in Bondi, Double Bay, Rose Bay, Bondi Junction, the CBD, Surry Hills, Newtown — every neighbourhood has one. You walk in. You might wait five minutes. You sit down, you start eating immediately, you leave forty-five minutes later, full. It costs you twenty dollars.

Sushi in Australia is daily food.
Sushi in America is a treat.

Where IRO sits

Per headFormatWaitVariety
Omakase (Masa)$300–$600Counter, fixedBooked weeksChef's choice
IRO$25–$50Sushi train + tabletWalk-in, 5–10 minWide
Sugarfish$40–$60Sit-down, fixed30–60 min lineFixed menu
KazuNori$25–$50Counter, hand rolls30–60 min lineHand rolls only
Grocery$12–$20TakeawayNoneMediocre
IRO 色 Same cost, better night.
04 / 11 — The Australian DNA Vol. 01 — 2026.04

The format we're
inheriting.

In Australia, sushi train is a daily ritual. There's one within ten minutes of wherever you are. It's not a special occasion — it's where you go for lunch on a Tuesday, dinner on a Sunday, a quick bite before a movie.

Every ritual below is a brand opportunity at IRO.

Format

  • Walk-in. Five-to-ten minute wait, never an hour. The format runs on availability, not bookings.
  • Forty-five minutes, in and out. Service is a contract.
  • Counter and table seating. Solo diners welcome.

Rituals — every one becomes a designed artifact

  • Colour-coded plates. Each colour a price tier. Hand-thrown ceramics in Japandi glazes.
  • The little fish-shaped soy bottle. Plastic in Australia, hand-blown glass at IRO.
  • Folded sachets of wasabi and ginger. Letterpress washi paper, refilled from master pots.
  • The tablet at every table. Minimal in-brand UI, dual-language.
  • Self-serve hot tea. A brushed brass tap and ceramic cups per table.
  • The bill, by colour. A letterpress card listing each plate by glaze.
IRO 色 Australian rituals.
05 / 11 — The Belief Vol. 01 — 2026.04

Eating sushi
should be fun.

It used to be — in Tokyo's original kaiten-zushi counters in 1958, in Sydney's beach-suburb sushi trains in the '90s. Somewhere between then and now, America made sushi serious. We forgot that the most beautiful food in the world doesn't have to be eaten in a hush.

We believe a meal can be both refined and easy, both premium and quick, both a treat and a Tuesday. We believe a room full of people laughing over conveyor-belt plates is a higher-order experience than a silent counter.

We don't reject omakase. We respect it. We're just building something else — a different kind of theatre, for a different kind of night.

IRO 色 A different kind of theatre.
06 / 11 — The World Vol. 01 — 2026.04

It's 7pm on
a Wednesday.

You walk into a pale-oak room with soft Japandi light. Linen napkins. Brushed brass fittings. The low hum of a conveyor belt and ambient music low under conversation. Hand-thrown ceramic plates — bone, oat, sage, hinoki, terracotta, charcoal — drift past you on a track of warm wood.

You sit down without a reservation. A hand-blown glass fish sits between you, holding soy. A small ceramic dish holds wasabi, another holds ginger. A tablet rests at the corner of the table — minimal, IRO-branded, ready when you need it.

You start grabbing plates. The colour tells you the price. A bullet train delivers something special straight to your seat. You're laughing with your friend. You finish in forty-five minutes. The bill is $42 each, printed on letterpress card.

You'll be back
next Tuesday.
Maybe Sunday too.

IRO 色 The new third place.
07 / 11 — Vision & Tagline Vol. 01 — 2026.04

Vision — the why

Sushi, every day.

Tagline — the what

Priced by the colour.

Two sister lines, same comma cadence, opposite jobs. The vision states the philosophy. The tagline states the mechanic. Together they cover the brand's full pitch in seven words — compact enough to fit on a hat tag.

IRO 色 Seven words.
08 / 11 — Values Vol. 01 — 2026.04

Health. Ritual.
Transparency. Responsibility.

01 / Health

The healthiest daily meal in New York.

Lean protein, omega-3, fresh vegetables, miso, seaweed. Not deep-fried, not sugar-loaded. Sushi train is automatically portion-controlled — one plate at a time. Wellness dressed as fun food.

02 / Ritual

Built to be returned to.

Walk-in, fast, affordable, calm enough to sit alone with a book. Not the once-a-month dinner. The once-a-week one. Designed for the second visit, the fifth, the hundredth.

03 / Transparency

Honest pricing, in colour.

Six tiers, $5–$15. The colour tells you the price. The bill stacks on the table as you eat. No mental math, no hidden gratuity, no surprises. You always know what you're paying.

04 / Responsibility

Sushi you can eat every day.

MSC-certified fish only. No bluefin. Hand-thrown ceramics, hand-blown glass, washi paper, refillable everything. Daily sushi the world can afford. Published sourcing on every menu.

IRO 色 Eat well. Eat often. Eat honestly. Eat responsibly.
09 / 11 — The Colour System Vol. 01 — 2026.04

Six colours.
Six prices.

Each plate's glaze tells you its price tier. Five clustered tiers stay approachable. The sixth — Charcoal — is reserved for the special-occasion items. Otoro. Uni. A5 wagyu.

Bone — vegetarian rolls, edamame, simple maki
$ 5
Oat — basic nigiri, kid-friendly rolls
$ 6
Sage — signature rolls, chicken katsu maki
$ 7
Hinoki — hot dishes, gyoza, takoyaki, miso
$ 9
Terracotta — premium nigiri, sashimi, hand rolls
$ 11
Charcoal — otoro, uni, A5 wagyu
$ 15

Average per head: $25–$50 for 4–5 plates.

IRO 色 The colour is the price.
10 / 11 — Outcomes Vol. 01 — 2026.04

What this brand
delivers.

01
Identity & Wordmark
Trinity wordmark in Latin, Kanji, Hiragana. Horizontal lockup, monogram, light and dark variants, clear-space rules.
02
Typography
Shippori Mincho (display, Japanese) paired with Inter (Latin body). Hierarchy across menu, signage, web, packaging.
03
Menu System
Printed and digital menus. Colour-coded by tier, organised by section, dual-language. Set in Shippori for soul, mono for clarity.
04
Packaging & Takeaway
Hand-blown glass soy fish. Letterpress washi sachets. Takeaway box, chopstick sleeve, sauce tin, bag — all in the brand palette.
05
Spatial Direction
Pale oak, brushed brass, hand-thrown ceramic, linen, washi paper. Soft daylight. Generous space — Ma (間) as the spatial principle.
06
Web & Digital
This brand book is the first artefact. Tablet UI, ordering site, social, OG images all built on the same system.
IRO 色 Six surfaces. One system.
11 / 11 — End Vol. 01 — 2026.04
IRO
いろ
A daily ritual.
Sushi, every day.
Priced by the colour.
Designed by Jake Pasternak
jakepasternak.xyz
2026